“Doom, despair, and agony on me” were the cheery words that accompanied an old HeeHaw sketch in which two old coots in a corn field tried to outdo each other with their tales of woe. Funny in its hyperbole.

But in a recent discussion on the English Companion Ning, I asked, “Why is it that so many of our novels for middle and high schoolers deal with death?” Are those the only books worthy of study, or is it some weird fixation? Even this year’s Newbert Award Winner, Neil Gaiman’s The Graveyard Book, seems to celebrate that theme (see book trailer below from HarperKids).

I received some profound and enlightening responses from my colleagues that are worth a read. If you’re not a member of the English Companion Ning yet, the sign-up is free and painless, and the collegial atmosphere is one you’ll enjoy.  And if you’re a teacher studying a novel in class that deals with death, be sure to weigh in on the discussion!

The Northern Nevada Writing Project’s Writing Fix site contains a terrific section of lesson plans on Using Chapter Book Excerpts as Mentor Texts. What does that mean? It means the terrific writing we admire in our favorite novels can be used to guide our own young writers. The format, however, also means that your students don’t need to have read the entire novel being referenced; each lesson provides teachers with the specific chapters, which can be read independently by students or as a read-aloud by the teacher. If any of the twenty some books featured are the same novel you’re studying in class, added bonus!

So what you’ll find here is a fabulous collection of middle school and YA novels (you’ll recognize all the titles) categorized by the six traits: Idea Development, Organization, Voice, Word Choice, Sentence Fluency, and Conventions. Each lesson plan is preceded by a Three Sentence Overview (boom! there’s your lesson objective).

For example, Maniac Magee is used as a mentor text focusing on voice (with a supporting focus on word choice). The Three Sentence Overview reads:

The writer will analyze and discuss the tall tale format after reading Jerry Spinelli’s tale of Cobble’s Knot, told in Chapter 20 of Maniac Magee.  Then writers will need to create an interesting character in a special situation which would allow them to stretch the truth in an imaginative tale.  The interactive button game will provide writers with possible options from which to create their “whoppers.” 

The lesson plan contains a step-by-step approach, and all needed hand-outs, and additional optional site links (if required). Many lessons also contain samples of student writing submitted by teachers who have used that lesson plan in their classrooms.

While at Writing Fix, also be sure to check out the ipod Lessons which use lyrics to popular songs as mentor texts. Great way to connect with the young folk!

If you haven’t checked out 60 Second Recap, you’re in for a treat. 60 Second Recap is a collection of video clips covering the plots, characters, symbolism, and more of favorite classic literature for teens. But it’s not a dry, overly-academic examination. It’s a lively conversation hosted by a real-life, somewhat zany hostess named Jenny (you can find her on Twitter).

The site’s overview gives you a sense of the tongue-in-cheek humor that’s behind this great site:

“Eat your lima beans,” Mom used to say.

And now that you’re out on your own, honestly, are lima beans a staple of your culinary repertoire?

There, in a lima bean, lies the problem confronting the great works of literature. We’re all forced to read them in school so we can get good grades so we can go to a good college so we can get a good job so we can forget all about that literature they used to force us to read so we could get good grades.

The 60second Recap™ aims to break this cycle of canonical irrelevance. We want to help teens (yes, teens of all ages!) engage with literature. We want to help them see it not as some chore to be endured, but as — dare we say it? — the gift of a lifetime. How? Through the language of our time — the language of video. Video that’s focused, engaging, informative … and short enough to hold just about anyone’s attention.

Smirk if you must. Consider this yet another mile-marker on civilization’s road to perdition. But here’s the fact: You won’t get non-readers to read by forcing them to read more. You’ll get them to read by opening their eyes to the marvels awaiting them between the covers of that homework assignment.

With the 60second Recap™, teens finally have an alternative to the boring, text-based study guides that have burdened them for generations. And — who knows? — maybe that’s just what they’ll need to begin a love affair with literature, one that will last a lifetime.

In addition to the videos on classics such as Animal Farm, Of Mice and Men, Frankenstein, Lord of the Flies, and Hamlet, users will find a section called Recap Resource which includes a Dictionary of Terms (allegory, motifs, subtext, protagonist, etc.) and How to Write a Paper (that Won’t Put your Teacher to Sleep).  Again, these are presented in video form, which them much less intimidating for the average high school user.

The site also features an area for video responses from users, and another for users to request titles for recapping.

I highly recommend you give the site and give it a look! I’m curious to see how it will change as it grows.

Know another great site for teachers working with novels? Find me on Twitter!

I mentioned this at a workshop, and I’ve had a few emails regarding it, so there may be some general interest. The Book Project Tracking Sheet allows for various “checkpoints” along the way in order to prevent students from procrastinating. Parents love it, and students have also told me they liked seeing their progress; it divided a really big “meatloaf of a report” into easily digestible chunks (my words, not theirs).

Email me if you’d like a Word format for tweaking.

Book Report Tracking Sheet

A mother lode (yes, the spelling is correct; I even looked it up) is a rich and abundant source, usually of ores or minerals.

But in the case of the ReadKiddoRead ning, mother lode refers to a resource of other 100 lesson plans for both picture books and novels. This ning is the community site of James Patterson’s ReadKiddoRead site, which provides tons of reading suggestions for kids, all categorized by age and genre.

I don’t know about you, but I’m a visual person, so I like that the ning has the lesson plans organized in an array of books covers. In addition to these plans, the ning also offers teachers and parents opportunities to share tips on motivating your readers through forums, groups, interviews, and lists.

Many of you know that I’m a member of many nings (ReadKiddoRead, Book Marketing Network, English Companion, NCTE, Teacher Librarian, Stenhouse Publishers, Writing Lesson of the Month, Elementary Tech Teachers, Elementary Teachers Network, and Classroom 2.0). Each one has its own strengths, and I’d recommend you try out a couple to see which is the best fit for you. If you happen to join any of these terrific nings, add me as a friend!

A couple months ago I mentioned the English Companion Ning. That group is now nearing 10,000 members, and I encourage you more than ever to get involved!

For those of you who don’t know much about Nings, here’s a quick Q and A from member Jennifer Ansbach.

What’s a Ning?
A ning is a closed social network, like a Myspace or Facebook with a restricted membership. You have a profile, a blog, and participate in forums and send/receive messages.

What is the English Companion Ning?
Started one year ago this week by English teaching guru Jim Burke, the English Companion Ning is a place to share resources, ask questions, and participate in online, self-directed professional development.

Why should I join?
Jim Burke has leveraged his author and professional connections to bring some of the leaders in English education to the ning. Members include not only Jim Burke but current NCTE president and author Carol Jago, outgoing NCTE president and author Kylene Beers, and others who publish about best practices. Each month there is a professional book club, with an online discussion led by the author. Past books included Kelly Gallagher’s Readicide and Tom Newkirk’s Holding on to Good Ideas in Times of Bad Ones. This month’s book club on improving student writing features Penny Kittle’s Write Beside Them.

There are forums devoted to specific topics, with people posting their handouts, lesson plans, and strategies. In addition, there is a place to seek help for questions or for support. Yesterday someone asked what to do when your urban students admit they think you are a pushover. Within a few hours, several people had offered solid advice and resources. Earlier this year, a teacher posted about celebrating with his student teacher, putting her in her car, and having a truck kill her instantly around the corner. That teacher found a place to share his grief and also received help and ideas for putting together a fitting tribute to the young woman (his students had written letters to her that he hadn’t given to her–he crafted a eulogy of the students’ own words about what she meant to them).

It’s free to join. Just sign up on englishcompanion.ning.com. Jim Burke pays the $25 a month to keep it running and does not accept any advertising on the site. I am not a paid promoter. This week, as the ECNing celebrates its first birthday, it has 9,700 members and Jim is hoping to reach 10,000 this week. He asked us to make sure our colleagues are aware of the ning and what it has to offer.

Thanks, Jennifer! Well articulated. This ning is perfect for those of us engaged in the sometimes lonely business of teaching Reading and Language Arts!

In response to my prior post about Metaphors & Analogies: Power Tools for Teaching Any Subject, I received an email from Adriana who asked, “Can you give an example of a metaphorical lesson? Not a lesson that teaches about metaphors, but a lesson that uses the idea.”

While I had a few ideas, I thought the best way might be to show a lesson in action. Check out this clip from Mr. Langhorst’s 8th grade in Liberty, Missouri. It’s a perfect example of an extended metaphor.

I love this approach! In my third and fourth grades, where I’ve taught the Revolutionary War as well, I’ve taken a slightly different approach. Students were presented with a letter from the school board, announcing that due to last year’s low test scores several drastic measures would be put into place: extended school hours, summer school for all students below a 3.5 average, school on Saturdays, and no more Physical Education. Students became quite upset that neither they not their parents were in attendance at this meeting, and that they were being punished for last year’s bad scores (purely fictitious as well). Seeing how distraught my students were, I graciously allowed them to draft letters to the testing coordinator (Mr. Itzal LaSham) expressing their feelings. Without fail, students created the most articulate, persuasive writing of their lives! When read aloud, the letters of protest were impassioned and convincing.

But then I wondered aloud, “I’m not sure if we should have done this. Perhaps Mr. LaSham will get upset, and call your parents. Are you guys really willing to take that risk?” Out come the erasers, but not for all. Most students are so adamant in their beliefs that they refuse to erase their names, no matter what the consequences!

It’s usually at this point, although sometimes much earlier, that some student will exclaim, “This is exactly what happened to the colonists! We’re being forced to live by rules that we didn’t help to make.” And eventually, of course, I do let students in on the secret: The letter is fictitious, and so is the testing director (Mr. It’s All a Sham). We then discuss the similarity between their letters and the Declaration of Independence. Both documents express extreme dissatisfaction, but the latter is further expressing outright rebellion. Should the colonists lose this war, the bold Declaration will serve as King George’s hanging list.

In nearly twenty years of implementing this lesson, students have been faithful to not share it with their siblings or friends, and each year’s new class faithfully falls for the trick: hook, line, and sinker. But the real payoff is that years later, when students return from high school and college to visit, they’ll ask, “Did you do the letter yet?” and they’ll vividly recall every aspect of the lesson, including (here’s the clincher!) its point.

Now that’s a lesson that sticks.

If you’re a social studies teacher, check out Eric Langhorst’s blog for more great resources and insights. You may also want to check out the six elements of “stickiness” found in Dan and Chip Heath’s Made to Stick: Why Some Ideas Survive and Others Die.

Metaphors and AnalogiesStenhouse has put out a new book that I can’t recommend enthusiastically enough. Rick Wormeli’s Metaphors & Analogies: Power Tools for Teaching Any Subject adds to the canon of distinguished titles which deal with the topic of metaphor. His work, however, is so far the most practical title I’ve seen on the topic, offering teachers simple steps for improving their instruction through the use of metaphors and analogies. Every page provides subject-specific examples, allowing readers to easily understand the real-life applications to the classroom.

My own forays into this topic began with George Lakoff’s now-classic Metaphors We Live By, which plainly illustrated the pervasiveness of metaphor in everyday language. While critics argued that the book was not well supported with research, just a brief look into its pages will convince Metaphors We Live Byany reader that what Lakoff was attempting to prove through discourse alone was pretty self-evident (once exposed) and pretty remarkable as well. People do speak unconsciously in metaphors, all the time, and the metaphors they choose can tell us a lot about their preconceptions, perspectives, and prejudices on a topic. My personal copy of Metaphors We Live By contains hardly a page not scribbled with a comment or question; it did profoundly influence the way in which I approached reading and language arts instruction.

Next came Marcel Danesi’s Poetic Logic: The Role of Metaphor in Thought, Language, and Culture, which was arguably more research based than Poetic LogicMetaphors We Live By. Discovering the scientific and linguistic basis for everything Lakoff argued reinforced for me that metaphorical language is neither coincidental nor arbitrary. In Danesi’s own words:

The main goal of this book has been to take the reader on an excursion through an amalgam of facts, ideas, and illustrations that reveal how poetic logic works in making the world visible and thus understandable in human terms. Metaphor is a trace to poetic thinking, which constantly creates connections among things. This is why metaphors and metaforms have such emotional power—they tie people together, allowing them to express a common sense of purpose in an interconnected fashion.

What Rick Wormeli now brilliantly accomplishes through Metaphors & Analogies: Power Tools for Teaching Any Subject might be seen as a currency exchange. He takes the “hundred dollar ideas” of Lakoff and Danesi and turns them into “spending money” for the classroom. Wormeli shows how students can use metaphors to make connections between the concrete and the abstract, prior knowledge and new concepts, and language and image (neither Lakoff nor Danesi discussed visual metaphors at any length). Wormeli also goes beyond the passive museum experience of “let’s notice and appreciate the beauty of metaphors” to a workshop mentality of “let’s throw some clay on the wheel and see what we can form on our own.” Ultimately, his work is an impressive how-to on the subject.

But what’s in it for teachers of literature? So many of Wormeli’s examples are based in math, social studies, and science that Reading and Language Arts teachers might wonder what’s in it for them.

Rather than construct an argument, let me instead offer a simple example. FlippedBelow is an excerpt from Wendelin Van Draanen’s Flipped (grade level equivalent 5.5). How many single and extended metaphors can you spot? And more importantly, what additional (between the lines) information can they provide if the reader is alert enough to notice them?

My sister, on the other hand, tried to sabotage me any chance she got. Lynetta’s like that. She’s four years older than me, and buddy, I’ve learned from watching her how not to run your life. She’s got ANTAGONIZE written all over her. Just look at her – not cross-eyed or with your tongue sticking out or anything – just look at her and you’ve started an argument.

I used to knock-down-drag-out with her, but it’s just not worth it. Girls don’t fight fair. They pull your hair and gouge you and pinch you; then they run off gasping to mommy when you try and defend yourself with a fist. Then you get locked into time-out, and for what? No, my friend, the secret is, don’t snap at the bait. Let it dangle. Swim around it. Laugh it off. After a while they’ll give up and try to lure someone else.

At least that’s the way it is with Lynetta. And the bonus of having her as a pain-in-the-rear sister was figuring out that this method works on everyone. Teachers, jerks at school, even Mom and Dad. Seriously. There’s no winning arguments with your parents, so why get all pumped up over them? It is way better to dive down and get out of the way than it is to get clobbered by some parental tidal wave.

The funny thing is, Lynetta’s still clueless when it comes to dealing with Mom and Dad. She goes straight into thrash mode and is too busy drowning in the argument to take a deep breath and dive for calmer water.

And she stinks I’m stupid.

The fact is, for students to read with comprehension and appreciation, they must be able to recognize and dissect both simple and complex analogies. And for students to be able to explain their own understandings of difficult concepts (no matter what the discipline), they must be able to describe those concepts through metaphors and analogies.

I highly recommend Metaphors & Analogies: Power Tools for Teaching Any Subject for teachers looking to advance their own practice as teaching professionals. As always, Stenhouse offers you a preview of the entire book at their site.

One of my all time favorite short story writers expounds here on short stories and a bit more. If you have sensitive ears, skip this one!

Do you agree with King? Have readers become lazy?

Personally, I can’t say I disagree with him.

William Golding’s first novel, Lord of the Flies, was originally published in 1954 and quickly became a world-wide bestseller and admitted favorite of many modern day authors. Golding was awarded the 1983 Nobel Prize in Literature and is to this day probably one of the few Prize wiLord of the Fliesnners in Lit that I’ve actually read! Sorry, my fellow Reading and Language Arts teachers!

If you’re a fan of LOTF, or if you’re using this book with your classes, I highly recommend you play the Lord of the Flies Game. According to the Nobel Prize site where the game is hosted,

this game presents one possible interpretation of Golding’s book, which is no more legitimate than any other. As Golding himself claimed, “The right interpretation is the one that rises to the reader the first time he reads the book.”

The aim of this game is to analyze symbolism and characterization in the novel. A great refresher before an end-of-book test!

(According to a post at Mental Floss titled 15 Famous People Who Used to Teach, “The author’s experiences as a teacher helped inform the novel that made his career. He once allowed a class of boys to debate with complete freedom, and the classroom quickly devolved into such disorder that it inspired Golding to write Lord of the Flies.” Yeah… I can totally see that).

For those of you interested in the Nobel Prize angle, you may want to check out the picture book The Man Behind the Peace Prize: Alfred Nobel, a short yet intriguing account of man who invented dynamite. From the inside cover:

Alred Nobel was born in Sweden in 1833. A quick and curious mind, combined with a love of science and chemistry, drove him to invent numerous technological devices throughout his long life. But he is perhaps most well known for his invention of dynamite.

Intending it to help safely advance road and bridge construction, Nobel saw his most famous invention used in the development of military weaponry. A reading a newspaper headline mistakenly announcing his death, Nobel was inspired to leave a legacy of another sort.

Alfred NobelEven high school students will appreciate how effectively the concise picture book format captures Nobel’s life story. As an extension activity, students could research a winner of the Peace Prize (all listed in the back of the book) and create a similar picture book-like recounting, using an easy online publishing program such as Tikatok.

Interested in other extension ideas? Be sure to visit the publisher’s site for the free, downloadable teaching guide to accompany the book.